Wiper amazon

Wiper amazon DEFAULT
  • Last Updated:
  • Oct 16th, 2021 6:25 am

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Oct 15th, 2021 8:53 pm
Jul 26, 2020
14 posts

Oct 15th, 2021 8:53 pm

[Amazon.ca] Amazon Basics Self-Adjusting Wire Stripper $10.67

In stock Oct 27 and delivery Nov 1-2 but can add to cart and purchase now.

Original price might be high but $10 seems a decent price for a basic wire stripper.

Nearby Amazon.ca locations:

Oct 15th, 2021 8:57 pm
Deal Addict
Nov 9, 2011
1097 posts

Oct 15th, 2021 8:57 pm

this looks like my Irwin. If it work just as good, then that is a good price.
Oct 15th, 2021 9:01 pm
Deal Addict
Dec 27, 2012
2014 posts

Oct 15th, 2021 9:01 pm

For this price, I’ll absolutely give it a shot! So tired of using my pliers and I have a bunch of receptacles to replace yet
Oct 15th, 2021 9:08 pm
Deal Addict
Dec 26, 2006
1311 posts

Oct 15th, 2021 9:08 pm

Not to thread hijack but Walmart carries a very similar one instore for $9.97

https://www.walmart.ca/en/ip/workpro-se ... 0201886297
Oct 15th, 2021 9:10 pm
Deal Guru
Mar 22, 2004
14223 posts

Oct 15th, 2021 9:10 pm

70 cents more to have it shipped to your door. Easy choice, unless you need it ASAP.
Oct 15th, 2021 9:33 pm
Deal Addict
User avatar
Jul 21, 2016
1130 posts

Oct 15th, 2021 9:33 pm

With a stupid "push over" handle that will most likely slip out every time you try to use it
Last edited by Admin on Jul 32th, 2027 9:47 am, edited 1 time in total.
Oct 15th, 2021 11:57 pm
Deal Addict
Dec 4, 2008
1805 posts

Oct 15th, 2021 11:57 pm

https://www.princessauto.com/en/199-pc- ... Id=8960510

I picked this up last week, free ship. Alternative if you need terminals.
Oct 16th, 2021 1:02 am
Deal Addict
User avatar
Nov 23, 2004
1088 posts

Oct 16th, 2021 1:02 am

Previous wins:
-Fujifilm Finepix Z10FD 7.2mp (Green) 210$
-2x Xbox 360 (Oct 29 & Nov 1) 300$
Oct 16th, 2021 6:25 am
User avatar
Aug 20, 2019
465 posts
London, Ontario

Oct 16th, 2021 6:25 am

I had one of these from Canadian Tire mastercraft branded. I used it multiple times per day for about 8 months on small gauge wire for automotive wiring. Eventually it stopped gripping, I think I paid $12 for it on sale.

Went in, instant exchange with no headaches.

Things that could / will break I love Mastercraft for.

Edit: I removed the stopper that you see pretty much right away and just set the wire against the inside of the right wall before stripping.

Oh. And I cranked down the brass dial, but that’s based on your wire gauge. Fat = loose. Thin = tight.
Sours: https://forums.redflagdeals.com/amazon-ca-amazon-basics-self-adjusting-wire-stripper-10-67-2495862/

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The 8 best windscreen covers to buy in 2021

BUYING a windscreen cover for your car is a cost effective way to protect it from extreme weather. While they’re primarily used to protect against frost and ice in the winter, they’re beneficial year-round whether it’s sun damage, leaves and debris, or bird mess that’s a concern.

For maximum protection, we recommend investing in a cover that is specifically designed for cold weather and ensuring you’ve selected one of the correct size for your windscreen. Some retailers offer universal sizes, but it’s worth taking measurements before making a purchase to avoid disappointment.

We’ve researched the best car windscreen covers on offer in 2021, and here are the select few we’ve deemed to be worthy of your money.

1. Halfords Quilted Frost Guard

Halfords Quilted Frost Guard, £9 from Halfords — buy here

If you’re looking for an affordable car cover for the winter months, then this sub-£10 one from Halfords is a great option.

It comes with covers for both side mirros as well as the windscreen, and is held in place by magnets as well as loops on both sides of the cover. It’s made from 3-layers of water-resistant and non-woven material to guard against frost.

The dimensions are 147cm x 120cm, which should be suitable for both small and medium-sized vehicles. Don’t just take our word for it though — make sure you measure your windscreen before purchasing.

Happy customers have described the cover as an “outstanding product” and a “bargain”.

2. Halfords All Seasons Car Cover

Halfords All Seasons Car Cover, from £55 to £75 — buy here

If you’re looking to protect your car’s bodywork as well as the windscreen then this cover could be the way to go. As the name suggests, the Halfords own-brand product is suitable for all seasons. It offers snow and ice protection, is waterproof and will prevent sun damage thanks to UV protection.

You secure the cover via the elasticated panels, which fit over your bumpers, and the straps that go underneath the car. It’s available in five different sizes — extra small, small, medium, large and extra large — to suit all vehicles. The dimensions of the medium cover, which we’ve linked to above, are 440cm x 175cm x 135cm.

The cover was awarded four and a half stars in Auto Express’ Mini Test in 2020, and reviewers have said that the product is “superb quality and great value”.

3. QcoQce Car Windshield Cover

QcoQce Car Windshield Cover, £22.99 from Amazon — buy here

The QcoQce windshield cover is a bestseller on Amazon with over 1,000 five-star reviews, and is reportedly “good quality” and “value for money”.

It’s not too dissimilar to the Halfords Quilted Frost Guard we listed above in terms of design, though it does come in a larger size. The material is made up of four layers that are designed to protect your windscreen from frost, ice and snow, rain, UV rays and other dirt and grime.

There are two sizes available — small and large. The small measures 147cm x 120cm, whereas the large measures 157cm x 126cm. At the risk of sounding repetitive, make sure you measure your windscreen ahead of time — we spotted a few reviews stating that they opted for the wrong size.

4. FREESOO Windscreen Frost Protector

FREESOO Car Windscreen Cover, £17.99 from Amazon – buy here

Another top seller from Amazon, this all weather windscreen cover has rave reviews with one customer describing it as “an absolute life saver”.

The cover has two “ears” which you trap in between your car doors, and then tuck the bottom of the cover under the windscreen wipers. It comes in two sizes — small and large — and is made up of four layers designed to protect your windscreen from both frost and sun damage.

Note: We recommend you steer clear from using this windscreen cover in the rain as the “ears” may break the seal to your car door and let water inside.

5. Coopers of Stortford Windscreen Snow Cover

Windscreen Snow Cover, £8.99 from Coopers of Stortford — buy here

Made from a lightweight, mildew-resistant and waterproof PVC, this windscreen guard is designed to protect your car from temperatures of -20°C up to 90°C.

It’s available in one size, measuring 192cm x 118cm, and is held in place with magnets and material flaps which tuck inside your car doors.

Recent reviews have said it’s “lightweight and easy” and “a pleasure to put on the windscreen”.

6. Halfords All Weather Windscreen Shield

All Weather Windscreen Shield, £7.99 from Halfords — buy here

This is the third and final Halfords car windscreen cover to appear in our list. What can we say? They know how to make them.

This bestselling cover is designed to protect your windshield from all weather conditions and is made from a durable and protective film. It’s available in one size only — medium — and those with larger cars (such as SUVs and campervans) found that it doesn’t fully cover the windscreen.

For under £8, though, this cover is great value for money for smaller cars.

7. Pukkr Car Windscreen Sun and Frost Protector

Pukkr Car Windscreen Sun and Frost Protector, £4.99 from Roov — buy here

Priced at under a fiver, this is the cheapest windscreen protector in our list and even comes with a two-year guarantee.

You simply trap the flaps in your car doors and your windscreen will be protected from frost and sun rays. It’s made of four layers of material that absorb the heat in the summer to keep your car cool.

It measures 147cm x 100cm (not including the side flaps), which one person described as “a great size” that they “imagine would suit most cars”. But as always, make sure you measure your windscreen before committing to making a purchase.

8. AA Windscreen Frost and Sun Shield

AA Windscreen Frost and Sun Shield, £10 from Argos – buy here

Last but not necessarily least is the AA’s double-sided windscreen cover, designed to keep your windscreen frost-free in the winter and car interior cool in the summer.

It’s waterproof, breathable and comes with a one-year guarantee. Similar to a few different covers in this list, you attach it by trapping the flaps in the doors, or use the suction cups provided.

It’s 145cm by 70cm, which supposedly fits most cars, though the jury’s out on this one.


Do windscreen covers work?

Providing you choose a cover that is the correct size for your windscreen, then yes, it’ll help protect your car from poor weather and dirt. If frost or ice is your biggest concern, we recommend opting for a cover that is specifically designed for that, such as Halfords’ frost guard, whereas if you want to protect against UV rays as well as frost, the Halfords’ all seasons cover or QcoQce all weather cover are good choices.

How does a windscreen cover work?

In the winter, a cover works by keeping your windscreen clear of ice, frost and snow, and eradicates the need to defrost or de-ice your car. Whereas in the summer, it works by reflecting the sunlight and protecting the car from UV rays. This keeps the interior of the car cooler and prevents sun damage.

Aside from the above, a cover also protects your windscreen from dirt and debris, which could cause damage.

Not all windscreen covers will be suitable to protect your car from every weather condition. Make sure you check the description before making a purchase to ensure it protects against your primary concern, whether that be UV-rays or frost.

How to fit a windscreen cover

Not every windscreen cover will fit to your car in the same way. Some will have tabs at the side which you trap in your car doors, others have magnets or suction cups, and some may attach over your bumpers. We recommend that you read the instructions for your specific model closely.

Tweet to @ST_DrivingFollow @ST_Driving

– Enjoyed our roundup of the best car windscreen covers? Then you may find our guide to driving in the snow useful.
– If you’re in the market for a dash cam, our roundup of the best dash cams may come in handy.
– We’ve tested out some of the best child seats on the market. Check out what we thought of them.

Sours: https://www.driving.co.uk/news/products/best-windscreen-covers/
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16 of the best Dolby Atmos movie scenes to test your home cinema sound

It could be in your soundbar; it might be on your phone; soon, you may even find it in your car. Dolby Atmos is seemingly everywhere. But even if you have equipment that supports 3D audio playback, what should you watch to make sure you get the most of it?

You may already know that Dolby Atmos expands upon a traditional surround set-up by adding channels to bring sound from overhead. But Atmos is about more than just shoving some speakers in your ceiling and waiting for a chunky aeroplane sound effect.

The technology is used by filmmakers in the mixing stage to place sounds and voices at exact points in the soundfield rather than simply assign them to specific channels. So, in addition to the traditional combination of up to 9.1 channels, Dolby Atmos can deliver up to 118 simultaneous sound objects, creating an enveloping soundstage – even (at least to an extent) if you are listening using 'virtual' Atmos-enabled headphones.

As well as adding thrilling movement to action sequences, Dolby Atmos can subtly enhance perspective and immersion in both effects and music. In the hands of a great sound designer, it is a tool that provides the flexibility to build sonic landscapes that can transport, terrify and move you. 

We have selected some of our favourites film scenes that show the flexibility of Dolby Atmos and let your system, whether a soundbar or full AV amp and speaker system, hit the greatest heights.

One note: because some of the best Dolby Atmos scenes appear quite late in their respective films, there may be some minor spoilers below

The Mitchells vs. the Machines (2021) - Mall of the Globe

In a post-apocalyptic world where a sentient voice assistant (picture a very sassy Siri voiced by Olivia Coleman) has overthrown their hoodie-wearing creator, the Mitchell family have managed to evade capture from the evil robot regime and are now the human race’s only hope for survival.

Unfortunately, the Mitchells have enough of their own problems, as tensions between aspiring film student Katie and her technophobe dad Rick have reached breaking point and his hapless attempts at rebuilding a relationship with his daughter only serve to alienate her further.

The film's animation mixes 2D and 3D watercolour styles with overlays indicating Katie's own ‘directors’ point of view, which, when combined with the punky Dolby Atmos soundtrack, creates a captivating adventure caper full of dramatic flair and just the right amount of heartfelt sincerity (as well as big-tech satire). 

In the 'Mall of the Globe' battle sequence, where consumer electrical products have turned violent, there's a wealth of unusual and zany height elements that can only really be done justice by a Dolby Atmos system. From a soda can missile that whips overhead crackling with lethal transients to whizzing drones to a raining army of kamikaze Furbies, the sound design is incredible, maintaining coherence amongst the chaos and perfectly preserving the sparkling script's insightful humour.

There's also a wonderful dynamic range at play; the gradual crescendo from the first lone killer Furby's laugh quietly reverberating up above to the supersized Godzilla Furby's climactic entrance is an exemplary display of building excitement and anticipation through sound.

This offering from Sony Pictures, which missed out on its full theatrical release, went straight to Netflix, where it truly warrants a viewing in Dolby Atmos and Dolby Vision.

Watch The Mitchells vs. the Machines in Dolby Atmos on Netflix

Nobody (2021) – the final showdown

Born of the John Wick playbook (this and all three of the John Wick films were written by Derek Kolstad), Nobody actually turns out to be far more enjoyable than its progenitor thanks to a wittier script, a more seemingly pathetic main character and, most of all, Bob Odenkirk – an inspired and surprising choice who convinces both as a man on the cusp of death by suburban boredom and one capable of ripping someone’s throat out with his bare hands.

This is a brutal, gory affair with superbly choreographed fight scenes that have an unusually bruising realism to them, not to mention a healthy dose of very dark humour.

The sound is strong throughout and the music is great, but it’s the epic final showdown that will give your sound system the most enjoyable workout. Beginning at around 72mins with a crunching car chase soundtracked by Pat Benatar’s brilliant Heartbreaker, this scene eventually turns into an 18-rated version of the Home Alone break-in scene, with the family home replaced by a warehouse and the paint cans by claymores. A well-sorted Dolby Atmos system will send bullets and shrapnel flying across your room and the regular explosions should set your sofa shaking.

Nobody is currently available as a premium rental through various streaming services, but iTunes (aka the Apple TV app) appears to be the only one carrying it in Dolby Atmos (and Vision, for that matter).

Watch Nobody in Dolby Atmos via iTunes / Apple TV

The Tomorrow War (2021) – time-jumping to 2051

While its take on time travel is almost hilariously simplistic and naive, The Tomorrow War is a hugely enjoyable sci-fi action flick with a superb Dolby Atmos soundtrack (as well as an excellent 4K HDR picture).

The unusual premise sees soldiers from the future travel back to 2022 in order recruit and train troops who are then sent forward to 2051 to fight in an extinction-level war against invading aliens. So badly is this future war going, that a global draft is quickly implemented, and that’s how charming science teacher Dan Forester (Chris Pratt) ends up being sent forward in time to shoot aliens in the neck and stomach.

There’s lots of impressive Atmos action throughout the film, but the scene in which Dan and his even greener civilian squad mates are sent forward in time is arguably the best. Beginning at the 32:25 mark with a quiet, backstory-filling chat between our main man and the equally lovable Charlie (played by Veep’s Sam Richardson), chaos quickly ensues as a siren blares to announce the squad’s early deployment.

As the civvies-turned-soldiers line up in a hangar, the portal to the future fills the ceiling above and fills the space above your head with roaring audio – assuming your system is doing its job correctly. There’s a huge amount of drama and intensity to this build-up that those listening through basic speakers simply won’t experience, and the time jump itself is an AV roller coaster with a spectacularly shocking climax. From this point, the action doesn’t let up for what feels like ages, so buckle up and enjoy the ride.

Watch The Tomorrow War on Amazon Prime Video

Blade Runner 2049 (2017) – Chapter 6

Set 30 years after the events of its predecessor, Blade Runner 2049 is not so much a sequel but an extension of the original's universe, only this time with more plot. In this scene, as K and Joi fly out of Los Angeles towards the orphanage, the soundscape transitions from loud – the waves crashing against the flood barrier – to eerily quiet as the rain hits the windshield wipers, with occasional bits of clearly projected dialogue.

While the storm batters the car, low, distant rumbles of thunder become a more constant barrage from the sky. The bullets fired from below streak across the room, and the music builds again, with more menace this time. Suddenly, a spark of lightning plunges everything into near silence as all power is lost, and all that is left is the sound of the rain. These sonic contrasts make for a serious challenge – every dynamic shift needs to be handled confidently so that every dramatic point is delivered.

Reinforcing those loud effects is the Hans Zimmer-composed, Vangelis-like soundtrack with its sonorous, undulating bass. As with the first Blade Runner film, 2049 notably embeds sound into the score, blurring the lines between effects and music to create a unified sonic landscape full of tonality, motion and texture. In fact, it’s the music that gets the most Dolby Atmos treatment; using the surrounds for big, intense moments prevents the image from ever narrowing, with both image and audio maintaining an epic scope.

Watch Blade Runner 2049 in Dolby Atmos via iTunes / Apple TV
Buy Blade Runner 2049 on 4K Blu-ray from Amazon

Gravity (2013) – Chapter 1

Throughout the tense 90 minutes of Gravity, whichsees Sandra Bullock hurtling through the vacuum of space with only George Clooney for company, the Oscar-winning Dolby Atmos mix (available only on the limited edition Diamond Luxe Blu-ray or the special edition HD Blu-ray) helps the viewer find focus within the confusing geography of nothingness while also heightening the sensation of disorientation. 

In a film where becoming untethered is a constant threat, the sound team decided to set the dialogue free from the centre of the screen and allowed it to track with the actors. So in the opening scene, as Bullock tumbles, we hear Clooney’s radio communication follow her terrifying trajectory. The placement of the voices is brilliantly precise and convincing, but it’s not just the voices that have been allowed to float; the entire score is composed for Atmos, moving, swelling and clashing with the action. 

With little ambience to play with, the surrounds are used effectively to show changes of space within… well, space. While Bullock starts drifting, the camera zooms right inside her helmet, and sonically we join that space for the first time – the air, breath and hint of tinnitus subtly cloaking us. More dynamic is the fire scene later in the film that burns overhead until the airlock is shut, damping everything down before more deep thuds from above. There’s plenty for your vertical channels to grapple with here.

As pointed out by reader Utopianemo in the comments, finding a disc version of Gravity with the Dolby Atmos soundtrack is exceptionally hard (the rare Diamond Luxe Edition is the version you're after). A 4K Blu-ray is finally due in October 2021 and you've got to hope that will include Atmos. In the meantime, you can watch the Atmos version of the movie via iTunes / Apple TV.

Watch Gravity in Dolby Atmos via iTunes / Apple TV

Roma (2018) – Chapter 24

From the same director and sound mixer as Gravity, Roma proves, in our opinion, that Dolby Atmos has even greater immersive potential in intimate films than in blockbusters, where it has the capacity to blur the line between realism and reality. Unlike the other films on this list, there’s no score in Roma, which frees up the rest of the soundtrack to be dense and bold while remaining sincere and specific.

In Roma, the fluidity of Atmos aligns with Alfonso Cuarón’s photography concept – slow long takes – to give the audience a window into a particular space, and to access the characters and story in a frank and potent way. As the camera pans, the detailed soundscape – birds, dogs, hail, street vendors and even dialogue – joins in the change in perspective, drawing the viewer into the frame and producing an eloquent but voyeuristic sense of movement throughout Mexico City in 1970/71.

The film's emotional climax comes as maid Cleodegaria Gutiérrez wades into the sea to save her employer's children, despite not knowing how to swim. The ominous intensity of the deepening waves and surf slowly coming ever closer to swamping Cleo’s head is powerfully rendered in the surrounds and height channels.

Watch Roma in Dolby Atmos on Netflix
Buy Roma on Blu-ray from Amazon

Bohemian Rhapsody (2018) – Chapter 22

When you first watch Bohemian Rhapsody, plenty of factual queries crop up that might distract you from the drama. Just how many cats did Freddie Mercury really own? Would Queen always resolve every conflict by writing a hit single? Has Brian May only ever have one haircut?

However, the final 20 minutes of the film that recreates, almost in full, Queen’s legendary Live Aid performance at Wembley is exquisitely captivating and the closest feeling to being at a live gig we’ve had in quite some time.

The film's audio team went to great lengths to have sonic options that matched every camera angle of this marathon scene. Along with the 16-track archive recording secretly made by the BBC at the time, they were able to capture PA ambience with the help of Queen’s sound engineers, who played back the film tracks in an empty stadium kitted out with 22 mics before a gig.

The result of this attention to detail, combined with Dolby Atmos’s location placement, means that whether the camera is behind the strings of Freddie's piano, in amongst Roger Taylor's kit, or jostling in the press pit, the audio perspective has astonishing realism. 

The scene opens with a camera flying over the raucous stadium crowd and a swooping sensation of height and movement. As we move around the stage, we hear the proximity of each amp and instrument, and within the crowd, we are surrounded by thousands of chanting voices. Even the long shots from the cheap seats should feel engulfing, transportive and irresistibly enjoyable, particularly as the crowd gradually begins to sing along to the first verse of We Are The Champions,building to an almighty choral roar that's almost impossible not to get swept away in.  

Watch Bohemian Rhapsody in Dolby Atmos via iTunes / Apple TV
Buy Bohemian Rhapsody on 4K Blu-ray from Amazon

A Quiet Place (2018) – Chapters 8 and 9

You'd be forgiven for thinking a film about the importance of silence might not have much to keep your Atmos system interested. In actual fact, the sound effects in A Quiet Place are unexpectedly compelling, making full use of the capabilities of object-based mixing to create a terrifying 3D soundscape.

This film is an expert display of carefully controlled suspense, and the dynamic range of the effects is a huge contributing factor as the pervading silence heightens each bare footstep and every rustle in the cornfield or creak of a floorboard.

And it's not just delicate sounds that have an impact. In the scene in which Emily Blunt's character attempts to give birth in total silence, she seeks safety in the basement. The thuds of the alien thrashing around above are captured with ominous weight in the overheads. As the creature descends the stairs and stalks around, its proximity and movements are palpable. Your ears prick with every breath, so much so that when fireworks are finally set off as a distraction, the thunderous explosion releases the tension, for a brief moment at least.

Watch A Quiet Place in Dolby Atmos via iTunes / Apple TV
Buy A Quiet Place on 4K Blu-ray from Amazon

Ford v Ferrari (aka Le Mans '66) (2019) – the races

You couldn’t make a movie about the Le Mans 24 hours race without some pretty epic driving sequences, and James Mangold's Ford v Ferrari (titled Le Mans '66 in some countries)delivers 30 minutes of racing that arcs the final third of the film. Containing interplay between internal and external space, crashes, rain and a searing, wide-panned score (in the same key as the Ford GT40 engine, no less), this set piece is a sonic masterclass in authenticity and power with a very human story at its centre.

But, for giving your surround system a quick runabout, the shorter Willow Springs race toward the film's start is ideal. The layers of sound are visceral and thrilling without being overbearing. As Ken Miles (played by Christian Bale) steers from the open cockpit of his Ford Cobra, the audience is heavily buffeted by the wind from all sides. Inside the cabin, you’re surrounded by the vibrations of the smashed windshield, rattling suspension and gear change transients. Meanwhile, in seamless transitions to exterior shots, the continuous directionality of the cars as they zip across the screen, or skid off the track, is precisely located.

There’s very little underscore here, but pay close attention to the internalised moment where all the focus is on Miles’ breathing, and harmonic drones subtly start to creep into the rears. It's an impressionistic bit of sonic storytelling in the midst of action that naturally envelops the viewer without feeling distracting or disjointed.

Watch Ford v Ferrari in Dolby Atmos via iTunes / Apple TV
Buy Ford v Ferrari on 4K Blu-ray from Amazon

1917 (2019) – Chapter 17

In 1917 Sam Mendes achieved what may well be the zenith of single-take-style cinema. The film tracks the journey of two young British privates tasked to deliver a message across no-mans-land in order to prevent another battalion from going over the top and falling into a German trap. The cinematography cleverly and subtly engages with the viewer, who acutely shares in the real-time unfolding of the landscape, perils and futility of the soldiers' odyssey.

The Atmos soundtrack mirrors the camerawork creating a sense of first-person realism without being literal. By inhabiting the same perspective, the sounds of the landscape are revealed to the audience as they are being revealed to the soldiers. This means that unknown threats such as the distant planes in the barn scene remain atmospheric until they come sharply into focus as we slowly realise a dogfight is going on overhead and one crashes to the ground. The prolonged intensity is made possible by the sonic respites after every loud scene, softening the soundtrack to keep the audience engaged.

Toward the end of the film, as Private Schofield doggedly attempts to call off the attack, he sprints across the top of a trench while soldiers charge across his path. The layers of sound around him are brutal, terrifyingly located and, given the context, not gratuitously used. Shell explosions, gunfire and raining debris are heard from all directions as Schofield powers on; but it's not just a cacophony – there's an authentic sense of personal toil and proximity that heightens the drama and danger.

Buy 1917 on 4K Blu Ray from Amazon

Baby Driver (2017) – Chapter 1

Baby Driver is the story of a getaway driver, Baby, who suffers from chronic tinnitus. He listens to music in his headphones to alleviate the ringing in his ears, creating a soundtrack to everything he does. And it's a pretty great soundtrack.

The audience hears the world as Baby hears it, and that point of view is set up brilliantly in the opening scene. We first hear a growing high pitched ring that morphs into a sustained string note that shifts seamlessly into the breaking sound of a car. Then Baby hits play on his iPod, and Bellbottoms by the Jon Spencer Blues Explosion starts to play. It's a song with serious attack that bursts to life from the entire system, giving you a sense of being in a private sonic bubble.

The sound often works in tempo with the music, highlighting syncopated beats. The constant movement and organic realism of these effects prevent the sound design conceit from ever feeling gimmicky or clumsy. As the getaway begins and the tyres screech across the soundscape, the car slides about while the sonic integration between the fronts and rears is tight and seamless.

Elsewhere in the soundtrack, Atmos is frequently used to meld effects and score together and create a unified accompaniment that's almost like a traditional musical. In the warehouse scene after the Tequila shoot-out, there are low-key sonic components that continue to reverberate after each small sound effect – a light switch, a stool creaking, a bag dropping – decaying into the rears and adding an underlying tension to an uneasy quiet moment.

Watch Baby Driver in Dolby Atmos via iTunes / Apple TV
Buy Baby Driver on 4K Blu-ray from Amazon

Unbroken (2014) – chapter 1

Angelina Jolie's Unbroken is an early example of the power of Dolby Atmos as well as brilliant sound design.It's glorious from the off, opening with a reverberant choral score that slowly gives way to the hum of an approaching squadron of bombers, with each propeller given an individual dimension as the rotor blades buzz past.

Atmos is about more than just height; the extra axis of sound means the designer can place effects into the soundfield and add to the overheads. This scene has both as the Japanese planes swoop, followed closely by rattling machine gun fire spiralling after them.

There's a real sense of contrast in size and exposure inside the aircraft as we switch between locations. Despite the roar of the wind and the mechanics of the plane, sounds such as the gunner's chair, the creaking of an old leather jacket and radio dialogue are all detailed and brought in and out of focus as the dog fight unfolds.

Buy Unbroken on Blu-ray from Amazon

The Sound Of Metal (2019) – the final scene

The Sound Of Metal captures the pain of a musician, Ruben, who is losing his hearing and searching desperately for treatment. While it may not have extravagant soundscapes in the traditional sense, it uses Dolby Atmos to immerse the audience into a non-hearing world, exploring the realm between sound and vibration. 

If that weren't ambitious enough, after Ruben gets cochlear implants, the filmmakers reintroduce sound to create a new digital, distorted world. The sound team created 20-30 layers of Atmos from the location recordings on set and separated the soundscape into components – harmonics, noises and transients – before recombining it to create ‘Frankenstein sound’. 

As cochlear implants do not give a sense of location, the soundscape is modulated to disorientate the viewer. Directionality becomes warped to match how the brain would perceive them. The disorientating synthetic sounds aren't easy to listen to, but rather than alienate the viewer, it draws us in, creating a powerful finale.

While The Sound of Metal is available to stream (including in 4K as part of an Amazon Prime subscription), it seems that the Dolby Atmos soundtrack is exclusive to the Blu-ray.

Buy The Sound Of Metal on Blu-ray from Amazon

Soul (2020) – the great before vs New York

The latest in a long line of Disney animated features to tackle the family-friendly subject matter of death, Soul centres on middle-aged jazz musician Joe, who is still waiting for his big break while he teaches elementary school. After a golden opportunity arises, Joe meets an untimely end but manages to get waylaid in ‘the great before’, where souls are made before they come to Earth. There he meets '22', a soul without a purpose who isn't keen on becoming human.

Dolby Atmos is used to build two diverse, realistic and otherworldly environments with liberal use of all the available channels creating an enthralling sonic experience. In ‘the great before’, the rears and overheads are filled with springy reverb and a large, enveloping soundscape. The soft atmospherics remain intentional and precise, melded together with Trent Reznor’s delicate electronic score.

The animation style is abstract, and many of the characters don’t have clear faces to help convey dialogue, but even a bohemian shaman (voiced by Graham Norton) crisscrossing the echoing astral plane in a pirate ship sounds clear, precise and natural.  

In contrast with the ethereal eccentricity of the great before, Soul’s autumnal New York is incredibly tactile, bustling and full of life. There's a great surge of sound when Joe and '22' first leave the hospital that sweeps over the viewer and doesn’t let up. The cacophony of New York as experienced for the first time is overwhelming, from the guttural pile driver and passing firetrucks to the thronging crowds and helicopter overhead.

On Earth, Jon Batiste takes over scoring duties, and the jazz accompaniment is beautifully layered and lush, bounding along with the buzz of the city. The authenticity of each space that Joe plays in - from a small club to the school classroom to his empty apartment post-show - is incredibly well-realised, transportative and at times devastating.

Soul might have skipped a cinematic release and headed straight to the small screen, but it’s well worthy of a proper Dolby Atmos set-up to do justice to its well-crafted, split personality soundtrack.

Watch Soul in Dolby Atmos on Disney+
Buy Soul on 4K Blu-ray from Amazon

Mad Max: Fury Road (2015) – chapter 3

Another post-apocalyptic follow-up set 30 years after its predecessor, Mad Max: Fury Road acts as both a sequel and a reboot of the series. Tom Hardy steps into the role of former cop Max Rockatansky, adrift in a world that's been engulfed by the desert and haunted by the memories of those he's failed to save.

Visually Fury Road is relentless, and while you certainly wouldn’t call the soundtrack subtle, it is incredibly focused and stunningly layered, directing the viewer’s attention within the often dense picture while maintaining an epic sense of scale.

From gunshots echoing through the desert wasteland and sandstorms tearing overhead, to Max’s internal headspace (and his close mic’d often mumbled dialogue), this two-hour chase opera boasts impressive dynamism and some exceptional moments of sonic respite.

However, the pace never lets up, and this clip at the start of the hunt shows how Atmos can help ground even the most outlandish of scenarios. As the cars and their unique engine sounds steer across the soundfield, they're accompanied by Junkie XL’s furious orchestral soundtrack.

Distorted guitar riffs suddenly flare up whenever the camera cuts to the Doof Warrior and his double-necked, flame-shooting guitar. Angry drums egg the chase on while the strings and electronic beats are carefully woven into the action.

Watch Mad Max: Fury Road in Dolby Atmos on iTunes / Apple TV
Buy Mad Max: Fury Road on 4K Blu-ray from Amazon

mother! (2017) – the final third

In Darren Aronofsky’s mother! Jennifer Lawrence plays ‘mother’, who lives with her poet husband, ‘him’ (Javier Bardem), in a secluded, creepy house that is besieged by a series of uninvited guests.

But this isn't just a simple home invasion horror, mother! is also a parable about climate change, a meditation on fame and an interpretation of the Bible. Most importantly, though, it has an ingenious Dolby Atmos soundtrack (courtesy of Requiem for Dream's Craig Henighan) that does all the heavy lifting. 

Apart from the opening and closing scenes, everything is filmed subjectively from mother’s perspective, either over the shoulder, in close-up or POV and the only long shots are when she’s alone. To bring us even closer to the central character’s experience, the film reflects the environment that mother hears. Everything, not just what is shown on screen, is given a defined position that is always slightly elevated. 

The house's presence as a character is intensified through seemingly innocuous sounds such as creaks and rattling pipes manipulated to become more human-sounding. As the invasion progresses into a fever dream, the small sonic exaggerations increase and become overwhelming in number and intensity.

But even with chaos erupting and people swarming the house, dialogue and actions remain detailed, clear and precisely placed, fading in and out of mother's focus. The latter third of the film builds into a sustained bedlam with some tremendous low-end effects to test your subwoofer.

It's certainly not for everyone, but if you can withstand the weirdness, mother! shows just how adaptable and avant-garde Atmos can be.

While you can watch mother! for free via an Amazon Prime subscription, you'll only hear the 5.1 version of the soundtrack if you do so.

Watch mother! in Dolby Atmos via iTunes / Apple TV
Buy mother! on Blu ray from Amazon


The best Dolby Vision movies to test your TV

Check out our list of the best Dolby Atmos soundbars you can buy

16 of the best 4K Blu-rays to test your system

10 of the best movie scores to test your system

The best TV shows to watch on Netflix right now

22 of the best TV shows on Amazon Prime Video


Mary is a staff writer at What Hi-Fi? and has over a decade of experience working as a sound engineer mixing live events, music and theatre.

Sours: https://www.whathifi.com/us/features/the-best-dolby-atmos-movie-scenes

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